@article{صیادی نژاد_اقبالی_2019, title={The Language Analysis of Seyyed Hemyariʼs “Golden Ode” Based on Formalism Criticism Approach}, volume={4}, url={https://www.languageart.ir/index.php/LA/article/view/118}, DOI={10.22046/LA.2019.13}, abstractNote={Seyyed Hemyari is one of those famous ritual poets who, for explaining historical realities, not only has leaned on intellectualization and rationalism, but also uses emotional language. He artistically utilizes form for creating new senses and concepts so that he has attracted the audience’s attention while stabilizing his intended meaning in their minds. He builds his poems “simple but inimitable” which is a powerful artistic style. The researchers of this article have tried to conduct a qualitative study on “the Golden Ode” of Seyyed Hemyari. The findings of the research show that Seyyed Hemyari reaches unity and spiritual experience by using musical capacity of “Behr-e Kaamil”. The rhythm and music of this ode are the results of some vocalic repetitions which show the deliberate selection of the creator of this work. He creates aural and acoustic enjoyment for the reader and gives diversity and beauty to his poem by using invisible repetitions and words that have similar sound wave lengths. Seyyed Hemyari sounds amazing in semantic level. He uses the language which is brought under his control. But despite his artistic approach in applying deviation, revival and making new compositions, unlike the other ritual poets, he does not sacrifice meaning for form.}, number={3}, journal={LANGUAGE ART}, author={صیادی نژاد روح الله and اقبالی عباس}, year={2019}, month={Aug.}, pages={7–28} }