التناص القرآني في شعر عبدالله بن رواحة على ضوء نظرية جوليا كريستيفا

«دراسة تحليلية لأشعاره الجهادية المنشودة قبل الخوض في معركة مؤتة»

Abstract

Islam left a clear impact on early Islamic literature, and a study of the poetry of Abdullah ibn Rawaha reveals the signs of this influence derived from the Holy Quran. In this research, we examine the influence of the Holy Quran on his jihadi poems dedicated to before engaging in the Battle of Mu'tah within the framework of Quranic intertextuality, based on Julia Kristeva's theory, using a descriptive and analytical approach. The result is that the phenomenon of intertextuality, as Kristeva sees it, is evident in his poetry. From the perspective of partial negation, we find a deep connection between the present and absent texts in terms of words and concepts. This means that he uses only a small amount of the same vocabulary from the Holy Quran in his poetry, while those that are similar in meaning are frequently used. Similarly, the concepts in his poetry are a continuation of the concepts of the Holy Quran. From the perspective of parallel negation, we find that he draws on meanings from the Holy Quran, preserving their original essence, and then narrating higher concepts of his own, creating a perfect harmony between these two. He did not limit himself to concepts inspired by the Quran, but rather composed poems about specific concepts without contradicting the Quranic meanings. This is the framework of total negation, as Julia Kristeva sees it. The poet utilizes in his poetry the framework of partial and parallel negation almost equally, while total negation is rare.