Aesthetic Reflection in the Condolence Poetry for the Death of Abul-Ala'i (By Late Nigerian Grand Literati Muhammad Al-Ghali Kabara)

Authors

  • إسحاق أبوبكر كبر PhD student in modern Arabic literary criticism, Bayero University Kano, Nigeria.

DOI:

https://doi.org/10.22046/LA.2020.22

Keywords:

محمد الغالي كبر

Abstract

This research addresses descriptive of artistic work named; the condolence poetry for the death of Abul-Ala'i, by Late Nigerian grand literati Muhammad Al-Ghali. The research deals with an explicit analysis of literary beauties, emotions, feelings, verbal ornament, and comment about the exclamation and psychological nature facing the poet. The paper reached conclusion that; the method used by the Literati Muhammad Al-Ghali in his condolence poetry concerned to convey this thoughts and create his imaginative world, and it worth mentioning the Literati on way will be clear and to shows his ability to use language to highlight his know-how, furthermore the poet performed to identified his emotion and feelings of sadness of the death.

References

Sheikh Muhammad Al-Ghali: hāyiyat al-rathā lewafāt abi al-ala'

Darwish, Ahmad (1997). In Criticism of Poetry, Cairo, Dar Al-Shorouk, 1st Ed.

Ibn Rashiq Al-Omdah (1981). On the Beauties of Poetry and Its Criticism, Edited by Muhammad Mohiuddin Abdul Hamid, Dar Al-Jeel Beirut.

Al-Midani, Abu Al-Fadl Muhammad bin Ahmed Al-Nisaburi (1962). Proverbs Complex. Beirut, dar al-hayyat.

Salim, Hassan Abdel-Rahman (2006). The Art of Spinning in Mamluk Poetry, Analytical Critical Study, 1st Edition, Cairo, Literature Library.

Nasira Sawaleh (n.d.). The problem of receiving in the Sufi discourse.

Al-Shuri, Mustafa Abdel-Shafi (1997). Lamentation Poetry in Early Islam, 1st Ed, Cairo, Longman.

Zaki, Ahmed Kamal (1980). A study in modern literary criticism. 2nd Ed., Cairo.

Published

2020-11-30

How to Cite

كبر إ. أ. (2020). Aesthetic Reflection in the Condolence Poetry for the Death of Abul-Ala’i (By Late Nigerian Grand Literati Muhammad Al-Ghali Kabara). LANGUAGE ART, 5(4), 71–80. https://doi.org/10.22046/LA.2020.22